February 23 - May 1, 2015
Traci Molloy is a Brooklyn-based artist and social activist.
This exhibition presents Molloy's individual and collaborative mixed media works. Her residency project will feature collaborations with USM students and youth from the Center for Grieving Children's Multicultural Program.
Faculty and Alumni Invitational
January 22 - March 1, 2015
Presenting woirk by art faculty and alumni with whom they have each selected to exhibit.
September 23 - December 10, 2014
Opposing Gestures is a dual site exhibition that portrays Alshaibi and Farbrook's shared view that politics are a macrocosm of individual motion and that the expression of one person can be symbolic of society.
While political components ebb and flow throughout the theme of the exhibition, it also takes on broader subjects and erxistential questions, all depicted through individual human expression, and often integrating the viewer into the experience.
Transitions: Juried Alumni Exhibition
January 13 - March 28, 2014
Juror Virginia Sassman Rose has selected 23 paintings, drawings and prints by seven USM Art alumni from a call for submissions. Exhibiting alumni include: Nora Tryon '89, Kathi Smith '03, Jody Desjardins '03, Ellen Hodgkin '07, Michael Connor '01, Lis Janes '07. Rose is founder of the Rose Contemporary, a gallery in downtown Portland, and an art history instructor at Southern Maine Community College.
Persian Visions: Contemporary Photography from Iran
September 17 - December 8, 2013
“Persian Visions: Contemporary Photography from Iran” includes nearly 60 photographs and two videos at the USM Art Gallery in Gorham and the Area Gallery on the USM campus in Portland. The exhibition represents the first broad survey of Iranian photography to travel to the United States, said Robert Silberman, a visiting scholar at USM from the University of Minnesota.
It was organized by the Tehran Museum of Contemporary Art and the University of Minnesota, and has been touring the U.S. for several years.
“Iran is a very complex society,” said Silberman, who wrote the catalog essay for the exhibition. “These photographers help reveal it.”
The images capture street scenes, family life and lifestyles, and demonstrate the sophistication and courage of the 20 artists whose work is represented, said Reza Jalali, who was born in Iran and coordinates the USM Office of Multicultural Student Affairs.
-Bob Keyes, Portland Press Herald, September 30, 2013
Everything: Astrid Bowlby, Visiting Artist-in-Residence
January 24 - March 6, 2013
For over a decade, Bowlby has steadily gained recognition for her room-sized fantasy landscapes composed of thousands of hand-cut simplified ink drawings on paper. This participatory installation invited visitors to stroll through unfurled rolls of paper filled with black ink drawings of anything visitors requested Bowlby to draw.
Zuihitsu: Look Only at the Waves
October 24 - Decmber 9, 2012
The exhibit by smudge studio includes USM art students and features a 20 foot long wall drawing and polaroid images of Casco Bay. smudge is a Brooklyn-based collaboration between Jamie Kruse, an artist, designer and independent scholar, and Elizabeth Ellsworth, an artist and Professor of Media Studies at the New School, New York. smudge states that their work "meets sites and moments where the geologic and the human converge. We creatively respond to the complex of forces we encounter there: the natural, built, historic, social, strategic and the imagined."
While on the USM campus for a week in October as visiting artists, smudge will visit with art education and digital art classes and conduct a workshop on a Casco Bay Lines mail boat tour with art students. Students will create material for the exhibit and "use the Portland mail boat tour as a means for locating ourselves physically in the midst of forces (natural, social, economic, temporal)." The Japanese term Zuihitsu encompasses non-linear modes such as "letting the brush lead." The root of the word is the character "Zui," meaning: "at the mercy (of the waves)." smudge will invite students "to develop ways to both sense and 'signal' or creatively respond to 'the mercy of the waves'—the swerves in perspective, perception, understanding, sensation, attraction, imagination—that take place when we are enroute." Works of graphic design and photographs from other smudge projects will also be on display.
Verge : New Work by Andrea Sulzer
September 4 - October 16, 2012
This exhibit, which includes both 2 and 3 dimensional works on paper, presents a new dialogue in Sulzer's ongoing exploration of the fragmented nature of space.
Sulzer, based in Brunswick, shows extensively in Maine; her drawings have also been shown in NewYork City, Germany, Japan, the UK and China.
Sampler - The USM Teaching Collection
September 27 - December 09, 2012
Works on view included prints by Red Grooms, Robert Rauschenberg, Romare Bearden, Katherine Porter, Larry Rivers, James Rosenquist and Alexander Calder(left); paintings by Wiliam Zorach, Marguerite Robichaux, USM alumni including and Alan Bray and Eric Hopkins; and innovative works in a range of media by Artists-in-Residence such as Deborah Aschheim.
March 2, 2012 - April 14, 2012
Eight New England photographers consider how the roles of women have evolved since Eve’s “fall from grace.” Participating artists include Sharon Arnold, Bev Conway, Jesseca Ferguson, Cig Harvey, Rose Marasco, Abigail Wellman, and Amy Wilton. Curated by Heather Frederick of VoxPhotographs.
Engaging Insects - Artists and Scientists
September 22 - November, 10 2011
Subjects of scientific observation, sources of artistic inspiration, media for art, and unwitting collaborators – the works in this exhibition display some of the myriad ways in which artists and scientists work with insects. From clockwork figures and embalming to genetic analysis, from scientific illustration to video manipulation, common insects are not only visually fascinating, they also raise provocative questions about our relation to the world around us. Curated by Kim Grant and Carolyn Eyler.
September 24-November 10, 2010
Living on opposite shores of this continent natives call Turtle Island, James Luna, a member of the Puyoukitchum (Luiseño) tribe based in La Jolla, California, and ssipsis, a Penobscot from Maine, make art challenging notions of contemporary identity. On display are Wabanaki birch bark artifacts and Ssipsis’s objects that revive and innovate on this tradition; Luna’s photographic pairings of himself in evocative relation with ancestors and masks, video utilizing innovative storytelling formats, and objects creating humorous commentary.
February 26- April 4, 2010
SIMPARCH, an artist collective that creates experiential installations, will explore ancient iconography and sacred architecture through contemporary methods and materials.
HORIZON Poetics of the Post-Heroic Landscape
September 24-November 8, 2009
The juxtaposition of Jennilie Brewster's strangely powerful avalanches of trash and Honour Mack's elegant, diminutive paintings offer insight into the ways in which contemporary worldviews have transformed the idea of landscape
Canopy: Michelle Forsyth, Visiting Artist-in-Residence
February 24 - April 8, 2009
Favoring the formal elegance of pattern and the visceral qualities of the handmade, Forsyth's work is a reflection on the onslaught of images of suffering in contemporary life.
Worldviews and Molas
September 9 –November 9, 2008
The forty-five ceramic, jade, and stone artifacts in this exhibit, produced by Mayan scribes and artisans during the classic period, contain a wealth of information about Mayan ideology including religion, beliefs, and cosmic concerns. On loan from the William P. Palmer III Collection, Hudson Museum, The University of Maine.
Analog: Gideon Bok, Visiting Artist-in-Residence
February 26-April 6, 2008
Gideon Bok's paintings become a dense visual tracing of the objects, pace, light, and people that inhabit the space he uses. This exhibit will feature a number of Bok's paintings and will also serve as a studio site and subject for the artist. Bok, a Maine-based painter, is represented by galleries in New York and Boston and his work can be found in numerous public and private collections.